{"id":3857,"date":"2015-06-01T21:05:54","date_gmt":"2015-06-01T21:05:54","guid":{"rendered":"http:\/\/www.jle.de\/9601-buchenwald-gedenkstatte-museum-2\/"},"modified":"2026-03-20T17:31:42","modified_gmt":"2026-03-20T16:31:42","slug":"concentration-camp-memorial-buchenwald-information","status":"publish","type":"post","link":"https:\/\/jle.de\/en\/concentration-camp-memorial-buchenwald-information\/","title":{"rendered":"9607"},"content":{"rendered":"<p>\n\t\t\t\t<p class=\"rs-p-wp-fix\"><\/p>\n\t\t\t\t<sr7-module data-alias=\"jle-9607\" data-id=\"35\" id=\"SR7_35_1\" data-version=\"6.7.51\">\n\t\t\t\t\t<sr7-adjuster><\/sr7-adjuster>\n\t\t\t\t\t<sr7-content>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_35_1-1342\" data-key=\"1342\">\n\t\t\t\t\t\t\t<sr7-bg id=\"SR7_35_1-1342-slidebg\" class=\"sr7-layer\"><noscript><img decoding=\"async\" src=\"https:\/\/jle.de\/wp-content\/uploads\/2026\/03\/f0628c55-51ab-429f-86b5-73020b47dcf3_kz1.png\" alt=\"\" title=\"9607\"><\/noscript><\/sr7-bg>\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_35_1-1341\" data-key=\"1341\">\n\t\t\t\t\t\t\t<sr7-bg id=\"SR7_35_1-1341-slidebg\" class=\"sr7-layer\"><noscript><img decoding=\"async\" src=\"https:\/\/jle.de\/wp-content\/uploads\/2026\/03\/e9daf797-3d3d-4fba-bf75-a872e2f06c63_lpdipl2.png\" alt=\"\" title=\"9607\"><\/noscript><\/sr7-bg>\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_35_1-1340\" data-key=\"1340\">\n\t\t\t\t\t\t\t<sr7-bg id=\"SR7_35_1-1340-slidebg\" class=\"sr7-layer\"><noscript><img decoding=\"async\" src=\"https:\/\/jle.de\/wp-content\/uploads\/2026\/03\/c4e38f72-1e26-417d-9216-3a538d7bffd2_kobold_605.png\" alt=\"\" title=\"9607\"><\/noscript><\/sr7-bg>\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_35_1-1330\" data-key=\"1330\">\n\t\t\t\t\t\t\t<sr7-bg id=\"SR7_35_1-1330-slidebg\" class=\"sr7-layer\"><noscript><img decoding=\"async\" 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data-key=\"1332\">\n\t\t\t\t\t\t\t<sr7-bg id=\"SR7_35_1-1332-slidebg\" class=\"sr7-layer\"><noscript><img decoding=\"async\" src=\"https:\/\/jle.de\/wp-content\/uploads\/2026\/03\/7e12e869-0041-4bc6-858a-e1d976020597_dipl-2.png\" alt=\"\" title=\"9607\"><\/noscript><\/sr7-bg>\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_35_1-1335\" data-key=\"1335\">\n\t\t\t\t\t\t\t<sr7-bg id=\"SR7_35_1-1335-slidebg\" class=\"sr7-layer\"><noscript><img decoding=\"async\" src=\"https:\/\/jle.de\/wp-content\/uploads\/2026\/03\/63d9fd15-9725-46e7-9259-273aaa16c426_dipl-3.png\" alt=\"\" title=\"9607\"><\/noscript><\/sr7-bg>\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_35_1-1338\" data-key=\"1338\">\n\t\t\t\t\t\t\t<sr7-bg id=\"SR7_35_1-1338-slidebg\" class=\"sr7-layer\"><noscript><img decoding=\"async\" src=\"https:\/\/jle.de\/wp-content\/uploads\/2026\/03\/924e463a-53eb-42f1-8fc2-68b63356741d_dipl-1.png\" alt=\"\" title=\"9607\"><\/noscript><\/sr7-bg>\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_35_1-1339\" data-key=\"1339\">\n\t\t\t\t\t\t\t<sr7-bg id=\"SR7_35_1-1339-slidebg\" class=\"sr7-layer\"><noscript><img decoding=\"async\" src=\"https:\/\/jle.de\/wp-content\/uploads\/2026\/03\/a63ed209-c706-43f8-9fee-17c1790825a5_dipl-6.png\" alt=\"\" title=\"9607\"><\/noscript><\/sr7-bg>\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t\t<sr7-slide id=\"SR7_35_1-1087\" data-key=\"1087\">\n\t\t\t\t\t\t<\/sr7-slide>\n\t\t\t\t\t<\/sr7-content>\n\t\t\t\t<\/sr7-module>\n\t\t\t\t<script>\n\t\t\t\t\twindow.SR7 ??={};SR7.PMH ??={}; SR7.PMH[\"SR7_35_1\"] = {cn:100,state:false,fn: function() { if (window._tpt!==undefined && window._tpt.prepareModuleHeight !== undefined) {  _tpt.prepareModuleHeight({id:\"SR7_35_1\",el:[800],type:'standard',shdw:'0',gh:[800],gw:[1200],vpt:['-200px'],size:{fullWidth:false, fullHeight:false},thumbh:\"60\",mh:'0',onh:60,onw:0,bg:{color:'transparent'},plType:'-1',plColor:'#FFFFFF'});   SR7.PMH[\"SR7_35_1\"].state=true;} else if(SR7.PMH[\"SR7_35_1\"].cn-->0)\tsetTimeout( SR7.PMH[\"SR7_35_1\"].fn,19);}};SR7.PMH[\"SR7_35_1\" ].fn();\n\t\t\t\t<\/script>\n<br \/>\nmemorial information center buchenwald, germany<\/p>\n<p><!--more--><\/p>\n<h4>memorial concentration camp information center<\/h4>\n<p>One of my early challanges was to &#8220;design&#8221; an information centre for the memorial of the concentration camp of Buchenwald.<\/p>\n<p>&nbsp;<\/p>\n<p>The concept is a spatial and content-related introduction to the complex history and future of the Buchenwald Memorial.<\/p>\n<p>when walking through the documentation and information center, the visitor approaches the complex through a wide forum, a plaza for events.<\/p>\n<p>The documentation area is designed in the form of an underground block as a buried museum building. can only be read by overhead lighting using accessible, radiating glass domes in the lawn.<\/p>\n<p>chronologically you walk through the almost 35-year history of the complex past. the cinema, library and concert hall are organized at their end points.<\/p>\n<p>Present and future are designed above the lawn, above ground. This continues conceptually in the vertical, materialization of the design.<\/p>\n<p>if the documentary content is spatially organized exclusively underground, the meeting places, library, concert hall, cinema, hotel, study retreats and teaching rooms clearly extend out of the hillside area.<\/p>\n<p>the reflection and meeting place becomes a platform of transparent space, made entirely of glass, translucent and visible from afar.<\/p>\n<p>light and illumination as a metaphorical means of design.<\/p>\n<p>&nbsp;<\/p>\n<h4 data-section-id=\"he8y39\" data-start=\"9880\" data-end=\"9903\">Project Description<\/h4>\n<p data-start=\"9905\" data-end=\"10578\">The design for an information center at the Buchenwald Memorial does not appear as an autonomous freestanding object, but rather as a <strong data-start=\"10039\" data-end=\"10076\">landscape-embedded spatial figure<\/strong> that renders the historic site legible through <strong data-start=\"10124\" data-end=\"10158\">placement, trace, and sequence<\/strong>. Its defining element is a <strong data-start=\"10186\" data-end=\"10216\">linear axis of circulation<\/strong> that functions as a spatial backbone: it organizes the approach, calibrates perception, and leads the visitor through several building parts in a <strong data-start=\"10363\" data-end=\"10398\">processional sequence of spaces<\/strong>. Here, the path is not merely circulation, but an <strong data-start=\"10449\" data-end=\"10472\">architectural motif<\/strong> in its own right\u2014a spatial continuum in which movement, memory, and knowledge are inseparably interwoven.<\/p>\n<p data-start=\"10580\" data-end=\"11415\">The premise of the project is the conviction that the history of Buchenwald can only be conveyed adequately through a <strong data-start=\"10698\" data-end=\"10774\">pluralistic, multi-perspectival, and spatially differentiated engagement<\/strong>. The center is therefore conceived not simply as an exhibition building, but as a <strong data-start=\"10857\" data-end=\"10973\">hybrid typology combining place of documentation, research institution, meeting space, and landscape of learning<\/strong>. Its ambition is not only to archive historical violence, but to render it spatially present, sharpen awareness, and establish a platform that equally enables <strong data-start=\"11133\" data-end=\"11197\">mourning, reflection, reconciliation, exchange, and research<\/strong>. Architecture is understood here not as a representative object, but as a <strong data-start=\"11272\" data-end=\"11309\">medium of orientation and meaning<\/strong> that structures memory, makes historical layers legible, and spatially anchors collective responsibility.<\/p>\n<p data-start=\"11417\" data-end=\"12171\">The complexity of the task lies in the site\u2019s multiple historical strata. Buchenwald functioned as a <strong data-start=\"11518\" data-end=\"11558\">concentration camp from 1937 to 1945<\/strong>; from <strong data-start=\"11565\" data-end=\"11581\">1945 to 1950<\/strong> it housed the <strong data-start=\"11596\" data-end=\"11625\">Soviet Special Camp No. 2<\/strong>. The later memorial constitutes a further historical layer of the site. Added to this is the area <strong data-start=\"11724\" data-end=\"11757\">above the actual camp grounds<\/strong>, where several <strong data-start=\"11773\" data-end=\"11798\">SS barracks buildings<\/strong> were located. Together with the <strong data-start=\"11831\" data-end=\"11845\">Carachoweg<\/strong>, the historic route linking the commandant\u2019s compound to the camp gate, this area forms the project\u2019s <strong data-start=\"11948\" data-end=\"12012\">chronological, topographical, and historical point of origin<\/strong>. From here the design develops its spatial logic: not as an imposition upon the site, but as a precise inscription into an already existing historical matrix.<\/p>\n<p data-start=\"12173\" data-end=\"12763\">The spatial program responds to this layering through a deliberate interweaving of <strong data-start=\"12256\" data-end=\"12335\">documentation, public discourse, scholarly work, and temporary inhabitation<\/strong>. The program includes <strong data-start=\"12358\" data-end=\"12378\">exhibition areas<\/strong>, <strong data-start=\"12380\" data-end=\"12420\">spaces for concerts, film, and video<\/strong>, a <strong data-start=\"12424\" data-end=\"12433\">forum<\/strong>, <strong data-start=\"12435\" data-end=\"12462\">library and study rooms<\/strong>, <strong data-start=\"12464\" data-end=\"12490\">retreat and work rooms<\/strong>, <strong data-start=\"12492\" data-end=\"12547\">overnight accommodation with youth hostel functions<\/strong>, <strong data-start=\"12549\" data-end=\"12578\">administrative facilities<\/strong>, and <strong data-start=\"12584\" data-end=\"12607\">restaurant services<\/strong>. The project thus assumes an intermediate typological condition between <strong data-start=\"12680\" data-end=\"12762\">museum, research center, educational institution, and civic place of encounter<\/strong>.<\/p>\n<p data-start=\"12765\" data-end=\"13524\">Its fundamental spatial figure follows a <strong data-start=\"12806\" data-end=\"12831\">topographical grammar<\/strong>. The point of departure is a <strong data-start=\"12861\" data-end=\"12870\">forum<\/strong> conceived as an open plaza for outdoor events. It functions as a threshold space between landscape, memorial site, and institution\u2014open, non-directional, and collectively occupiable. From there, the visitor is guided into a <strong data-start=\"13095\" data-end=\"13178\">subterranean linear exhibition sequence following the morphology of the terrain<\/strong>. This spatial figure, cut into the ground, forms the documentary backbone of the ensemble. The exhibition is not conceived as an additive chain of neutral rooms, but as a <strong data-start=\"13350\" data-end=\"13399\">spatial choreography inscribed into the slope<\/strong>, in which compression and expansion, guidance and interruption, constriction and outlook shape the dramaturgy of experience.<\/p>\n<p data-start=\"13526\" data-end=\"14152\">At the ends of this linear exhibition zone, further building volumes attach themselves to the sequence. On the one hand, <strong data-start=\"13647\" data-end=\"13705\">partially embedded yet simultaneously emerging volumes<\/strong> house <strong data-start=\"13712\" data-end=\"13750\">concert, film, and video functions<\/strong>. On the other, at the opposite end, the <strong data-start=\"13791\" data-end=\"13802\">library<\/strong> extends in a similarly <strong data-start=\"13826\" data-end=\"13868\">linear manner following the topography<\/strong>, both anchored in the earth and visible and accessible above ground. Along this topographical course follow the areas for <strong data-start=\"13991\" data-end=\"14036\">accommodation, dining, and administration<\/strong>, which seem to grow out of the landscape and orient themselves toward the location of the existing museum building.<\/p>\n<p data-start=\"14154\" data-end=\"14869\">The building masses read as <strong data-start=\"14182\" data-end=\"14226\">reduced, tectonically abstracted volumes<\/strong>. Their language is restrained, almost <strong data-start=\"14265\" data-end=\"14276\">ascetic<\/strong>, and avoids any expressive monumentality. Particularly striking is the contrast between <strong data-start=\"14365\" data-end=\"14411\">light-colored, at times translucent bodies<\/strong> and a field of <strong data-start=\"14427\" data-end=\"14477\">punctual insertions, markings, and linear cuts<\/strong>, which may be read as a <strong data-start=\"14502\" data-end=\"14547\">palimpsestic inscription of former orders<\/strong>. What emerges, therefore, is not a closed building in the classical sense, but an <strong data-start=\"14630\" data-end=\"14696\">ensemble of built volume, terrain drawing, and field of memory<\/strong>. The architecture does not assert itself as a singular object, but as a precisely placed sequence of spatial interventions within a terrain charged with historical meaning.<\/p>\n<p data-start=\"14871\" data-end=\"15670\">The conceptual core lies in the <strong data-start=\"14903\" data-end=\"14953\">spatial and symbolic allocation of the program<\/strong>. All <strong data-start=\"14959\" data-end=\"15009\">documentary, historical, and archival contents<\/strong> are assigned to the earth. They appear as <strong data-start=\"15052\" data-end=\"15099\">subtractive spaces inscribed into the slope<\/strong>, as sediments of history, as archives deposited within the topography. By contrast, all <strong data-start=\"15188\" data-end=\"15249\">present-oriented, communicative, and future-directed uses<\/strong>\u2014forum, encounter, event, habitation, and exchange\u2014are formulated as <strong data-start=\"15318\" data-end=\"15350\">visible above-ground volumes<\/strong>. From this opposition emerges a deliberate architectural dualism: the historical narrative of violence remains <strong data-start=\"15462\" data-end=\"15508\">embedded, documented, and open to research<\/strong>; the contemporary engagement with history, international understanding, learning, and active civic life becomes <strong data-start=\"15621\" data-end=\"15669\">visible, transparent, and publicly effective<\/strong>.<\/p>\n<p data-start=\"15672\" data-end=\"16258\">The emergent volumes are conceived in a <strong data-start=\"15712\" data-end=\"15746\">highly transparent materiality<\/strong>. By day they permit reciprocal visual relationships between interior, landscape, and memorial site; by night they appear as <strong data-start=\"15871\" data-end=\"15894\">lantern-like bodies<\/strong>. Their glow is not an effect but a statement: active engagement with history remains present in public space, visible from afar and resistant to erasure. In this way, the architecture formulates a <strong data-start=\"16092\" data-end=\"16132\">built declaration against forgetting<\/strong>. Opposed to the document embedded in the ground, it sets an above-ground counterfigure\u2014light-filled, open, and communicative.<\/p>\n<p data-start=\"16260\" data-end=\"16884\">Particular significance is attached to the <strong data-start=\"16303\" data-end=\"16325\">walkable skylights<\/strong> that bring natural light into the subterranean exhibition spaces. These are simultaneously functional and semantic elements: by day, light catchers and orienting markers; by night, <strong data-start=\"16507\" data-end=\"16546\">admonitory incisions in the terrain<\/strong>, appearing like grave-like signs in the grass. The design operates here through a precise dialectic of <strong data-start=\"16650\" data-end=\"16674\">absence and presence<\/strong>, of <strong data-start=\"16679\" data-end=\"16703\">void and inscription<\/strong>, of <strong data-start=\"16708\" data-end=\"16733\">terrain and tectonics<\/strong>. Architecture does not become illustrative or formally didactic, but works through <strong data-start=\"16817\" data-end=\"16883\">cut, trace, stratification, exposure, and spatial condensation<\/strong>.<\/p>\n<p data-start=\"16886\" data-end=\"17507\">In this sense, the project may be described as a form of <strong data-start=\"16943\" data-end=\"16963\">terrarchitecture<\/strong>: an architecture defined less by objecthood than by the <strong data-start=\"17020\" data-end=\"17080\">transformation of terrain into a legible field of memory<\/strong>. Topography is no longer merely the support of construction; it becomes a medium of meaning in its own right. The design mediates between the site\u2019s distinct layers of use and remembrance\u2014documentary and largely subterranean, yet contemporary and socially active in its emergent volumes. It translates the weight of history not into pathos, but into <strong data-start=\"17431\" data-end=\"17506\">spatial restraint, precision of placement, and topographical discipline<\/strong>.<\/p>\n<p data-start=\"17509\" data-end=\"18164\">At the same time, the site remains experienceable in its openness as landscape. The visitor is meant to be able to use the center not only as an institution, but also as a <strong data-start=\"17681\" data-end=\"17724\">walkable meadow and field of experience<\/strong>: lingering, walking, listening, speaking, and reading. The project thus proposes an architecture of <strong data-start=\"17825\" data-end=\"17849\">humble accessibility<\/strong>. It does not erect a closed apparatus of remembrance, but rather an <strong data-start=\"17918\" data-end=\"17977\">open platform for commemoration, learning, and teaching<\/strong>\u2014one that enables research, allows individual appropriation, and fosters collective understanding. The site is not to be consumed, but <strong data-start=\"18112\" data-end=\"18163\">traversed, comprehended, and bodily experienced<\/strong>.<\/p>\n<p data-start=\"18166\" data-end=\"18818\">According to the project documentation, the design was <strong data-start=\"18221\" data-end=\"18287\">selected in 1996 by a committee of the memorial administration<\/strong>. It was, however, never realized. To this day, no <strong data-start=\"18338\" data-end=\"18422\">central information center combining all the functions envisaged in this project<\/strong> has been built. Precisely therein lies the project\u2019s enduring relevance in retrospect: it articulates not merely a spatial program, but a position\u2014the idea that architecture at a site such as Buchenwald can be neither mere enclosure nor mere symbol, but must become a <strong data-start=\"18691\" data-end=\"18726\">spatial practice of remembrance<\/strong>, placing documentation, research, public life, and the present into a precise relationship.<\/p>\n<p data-start=\"18820\" data-end=\"19231\">Ultimately, the project understands itself as an architectural contribution to the task not only of preserving history, but of keeping it durably present in public consciousness. It formulates the promise of creating a place in which memory, knowledge, and responsibility are brought together: an architecture that documents the past, activates the present, and thereby helps prevent the repetition of violence.<\/p>\n<p>project: 9607<br \/>\nsize: 1.400 m2 (building), 1.700\u00a0m2 (landscape)<br \/>\nplot: 6.580\u00a0m2<br \/>\nclient: <a href=\"https:\/\/www.buchenwald.de\/en\/69\/\" target=\"_blank\" rel=\"noopener\">department of administration memorial concentration camp buchenwald<\/a><br \/>\nplace: <a href=\"https:\/\/jle.de\/en\/map\/\">buchenwald, weimar,\u00a0germany<\/a><br \/>\ntype: new museum, information center memorial<br \/>\nteam (bulding):\u00a0jle<br \/>\nteam (landscape):\u00a0jle<br \/>\nresponsable architect:\u00a0jle<\/p>\n","protected":false},"excerpt":{"rendered":"<p>memorial information center buchenwald, germany<\/p>\n","protected":false},"author":3,"featured_media":3851,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,18,19],"tags":[160,162,159,161,163],"class_list":["post-3857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-education","category-landscape","tag-buchenwald","tag-concentration-camp","tag-gedenkstaette","tag-kz","tag-memorial"],"_links":{"self":[{"href":"https:\/\/jle.de\/en\/wp-json\/wp\/v2\/posts\/3857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jle.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jle.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jle.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jle.de\/en\/wp-json\/wp\/v2\/comments?post=3857"}],"version-history":[{"count":3,"href":"https:\/\/jle.de\/en\/wp-json\/wp\/v2\/posts\/3857\/revisions"}],"predecessor-version":[{"id":35702,"href":"https:\/\/jle.de\/en\/wp-json\/wp\/v2\/posts\/3857\/revisions\/35702"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jle.de\/en\/wp-json\/wp\/v2\/media\/3851"}],"wp:attachment":[{"href":"https:\/\/jle.de\/en\/wp-json\/wp\/v2\/media?parent=3857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jle.de\/en\/wp-json\/wp\/v2\/categories?post=3857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jle.de\/en\/wp-json\/wp\/v2\/tags?post=3857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}